Knowing how much detail to include comes down to knowing how long a matte painting will be in a shot. Find out what you can indicate without having to draw every little detail,” says Case. This does not mean that a matte painter needs to draw every leaf on a tree or stone on a mountain. Even slight visual errors can distract the audience from the story. If the color looks a bit off or if the perspective is slightly skewed, the audience will know that something is wrong even if they don’t know why something is wrong. “A mountainside might have the local color of green because of trees, but as it recedes through the atmosphere, it takes on the tint of that atmosphere,” says Case. That means knowing about perspective and how light changes the color on objects. ![]() Matte painters need to know how to make outdoor views look real, even if their vistas include fantastic elements. While matte paintings can portray any background, they most often stand in for cityscapes and natural vistas.
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